[1] Vaver, D. 'Moral Rights Yesterday, Today, And Tomorrow', International Journal Of Information Technology And Law, 1999, Vol. 7, p 270.
[2] Schulze, M. 'Interview with the Author', Sydney, 25 March 1999.
[3] For a gallery of select paintings, see the website of driller Jet Armstrong: http://www.drillerjetarmstrong.com/daubism/
[4] Butler, R. (ed.) What is Appropriation? An Anthology of Critical Writings on Australian Art in the '80s and '90s. Sydney: Power Publications, 1996.
[5] Tillers, I. 'Locality Fails', Art & Text, 1982, Vol. 6, p. 51; Tillers, I. 'Fear of Texture', Art & Text, 1983, Vol. 10, p. 8; Tillers, I. 'In Perpetual Mourning', Art & Text, 1984, Vol. 11, p. 22; Tillers, I. Imants Tillers: Works 1978-1988. London: Institute of Contemporary Art, 1988; Tillers, I. 'Imants Tillers as a Site of Conflict', Art And Australia, 1990, Vol. 27 (3), p. 422; and Tillers, I. Diaspora in Context. Sydney: Museum Of Contemporary Art, 1995.
[6] Davila, J. Hysterical Tears. Melbourne: Greenhouse Books, 1985; Davila, J. The Mutilated Pieta. Sydney: Art And Text Monograph, 1985; Davila, J. 'Aboriginality: A Lugubrious Game?', Art & Text, 1987, No. 23, p. 53; Davila, J. Juanito Laguna. London: Christendale Gallery, 1995; Davila, J. 'Dear A&D Reader', Art and Cultural Difference Hybrids and Cultures. Art and Design Profile, No. 43. London: Academy Group, 1995; and Davila, J. 'The Art Curator, our Cultural Transponder', Arena Journal, 1996, No. 6, p. 117.
[7] Leong, H. 'Photographic Essay: An Australian', in Barnes, J. (ed.) Asian and Pacific Inscriptions: Identities, Ethnicities, Nationalities. Meridian, 1995, Vol. 14 (2), pp. 111-120.
[8] McLean, I. and Bennett, G. The Art of Gordon Bennett. Sydney: Craftsman House, 1996; McLean, I. White Aborigines. Cambridge: Cambridge University Press, 1998; and McLean, I. 'Gordon Bennett's Home Decor: The Joker in the Pack', Law/Text/Culture, 1998, Vol. 4 (1), p. 286.
[9] Langton, M. Well I Heard It on the Radio and I Saw It on the Television: An Essay for the Australian Film Commission on the Politics and Aesthetics of Filmmaking by and about Aboriginal People and Things. Sydney: Australian Film Commission, 1993.
[10] Newton, G. and Moffatt, T. Fever Pitch. Sydney: Piper Press, 1995.
[11] Harris, S. 'Arts Uproar over Defaced Painting', The Adelaide Advertiser, 27 September 1991, p. 1.
[12] Magazanik, M. 'Court Grants Injunction over Changing Landscape', The Age, 28 September 1991, p. 3.
[13] Bate, J. The Genius of Shakespeare. London: Macmillan Publishers Ltd, 1997.
[14] Staff Reporter. 'Controversial Painting Centre of Legal Wrangle', The Adelaide Advertiser, 28 September 1991, p. 2.
[15] Schulze, M. 'The Death of Daubism? The Case against the Introduction of Moral Rights', Artlines, 1997, Vol. 2 (4), p. 6.
[16] Schulze, M. 'Interview with the Author', Sydney, 25 March 1999.
[17] Harris, S. 'Arts Uproar over Defaced Painting', The Adelaide Advertiser, 27 September 1991, p. 1.
[18] Knabb, K. (ed.) The Situationist International Anthology. Los Angeles: Bureau of Public Secrets, 1981; Wollen, P. and Francis, P. (ed.) On the Passage of a Few People Through a Rather Brief Moment in Time: The Situationist International 1957-1972. Cambridge, Mass: The MIT Press, 1989; and Sadler, S. The Situationist City. Cambridge, Massachusetts: The MIT Press, 1998.
[19] Schulze, M. 'Interview with the Author', Sydney, 25 March 1999.
[20] Sproull, R. 'Jet's Brush with Bannon Fame Draws Artistic Ire', The Australian, 27 September 1991, p. 3.
[21] Ibid.
[22] Schulze, M. 'The Death of Daubism? The Case against the Introduction of Moral Rights', Artlines, 1997, Vol. 2 (4), p. 5.
[23] McCaughey, P. Fred Williams 1927-1982. Sydney: Murdoch Books, 1996.
[24] McDonald, J. Jeffrey Smart: Paintings of the '70s and '80s. Sydney: Craftsman House, 1995; and Capon, E. Jeffrey Smart Retrospective. Sydney: Art Gallery of New South Wales, 1999.
[25] Grishin, S. Garry Shead: The D.H. Lawrence Paintings. Sydney: Craftsman House, 1993; and Grishin, S. Garry Shead: Encounters with Royalty. Sydney: Craftsman House, 1997.
[26] Fern, L. William Robinson. Sydney: Craftsman House, 1995.
[27] Hughes, R. Nothing if not Critical. London: Collins-Harvill, 1990.
[28] Britain, I. Once an Australian: Journeys with Barry Humphries, Clive James, Germaine Greer and Robert Hughes. Melbourne: Oxford University Press, 1997, p. 226.
[29] Slattery, L. 'Robert Hughes' Critical Face Turns a Reddish Hue on Landscape', The Australian, 6 November 1998, p. 1; Slattery, L. '"Unconscious Cannibal" Says Sorry', The Weekend Australian, 7-8 November 1998, p. 3; and Slattery, L. '"Cannibal" Eats his Own Words', The Weekend Australian, 7-8 November 1998, p. 28.
[30] Slattery, L. '"Unconscious Cannibal" Says Sorry', The Weekend Australian, 7-8 November 1998, p. 3
[31] Donovan, Z. 'New Art Controversy Features the Queen', The Adelaide Advertiser, 20 January 1992, p. 3.
[32] Schulze, M. 'Interview with the Author', Sydney, 25 March 1999.
[33] Harris, S. 'Arts Uproar over Defaced Painting', The Adelaide Advertiser, 27 September 1991, p. 1.
[34] Schulze, M. 'Interview with the Author', Sydney, 25 March 1999.
[35] Overseas artists have encountered similar difficulties in gaining access to Australian galleries. The Serrano exhibition was forced to leave the National Gallery of Victoria after protests from the religious community in 1997. Similarly, the Sensation exhibition was recently cancelled at the National Gallery of Australia because of political pressure from Richard Alston, the Minister for Communications, the Information Economy, and the Arts.
[36] Australian Government. Creative Nation: Commonwealth Cultural Policy. Canberra: Department of Communications and the Arts, 1994.
[37] Sproull, R. 'Jet's Brush with Bannon Fame Draws Artistic Ire', The Australian, 27 September 1991, p. 3.
[38] Schulze, M. 'Interview with the Author', Sydney, 25 March 1999.
[39] Sproull, R. 'Jet's Brush with Bannon Fame Draws Artistic Ire', The Australian, 27 September 1991, p. 3.
[40] Galerie d'Art du Petit Champlain v Theberge (2002) SCC 34
[41] Id at [22]
[42] Schulze, M. 'Interview with the Author', Sydney, 25 March 1999.
[43] Davies, T. (ed.) 'Hou Leong' in Artlines, 1995, Vol. 1 (1), p. 8; Leong, H. 'Photographic Essay: An Australian', in Barnes, J. (ed.) Asian and Pacific Inscriptions: Identities, Ethnicities, Nationalities. Meridian, 1995, Vol. 14 (2), pp. 111-120; and Romney, J. (ed.) 'Protect the Parodist', The Arts Law Centre Newsletter, 1995, Vol. 9, p. 1.
[44] Rogers v Koons (1992) 960 F. 2nd 301; United Feature Syndicate Inc. v Koons (1993) 817 F. Supp. 370; and Campbell v Koons (1993) No 91 Civ. 6055 (RO), 1993 WI 97381.
[45] Buskirk, M. 'Commodification as Censor: Copyrights and Fair Use', October, 1992, Vol. 60, p. 83; Carlin, J. 'Culture Vultures: Artistic Appropriation and Intellectual Property Law', Columbia - VLA Journal of Law and the Arts, 1988, Vol. 13, p. 103; Harmon, L. 'Law, Art, and the Killing Jar', Iowa Law Review, 1994, Vol. 79, p. 367; McLean, W. 'All's Not Fair in Art and War: A Look at the Fair Use Defense after Rogers v Koons', Brooklyn Law Review, 1993, Vol. 59, p. 372; Patry, W. and Perlmutter, S. 'Fair Use Misconstrued: Profits, Presumptions, and Parody', Cardozo Arts and Entertainment Law Journal, 1993, Vol. 11, p. 667; Sherman, B. 'Appropriating the Postmodern: Copyright and the Challenge of the New', Social And Legal Studies, 1995, Vol. 4, p. 31; and Wang, E. '(Re)productive Rights: Copyright and the Postmodern Artist', Columbia - VLA Journal Of Law and the Arts, 1990, Vol. 14, p. 261.
[46] Schulze, M. 'Interview with the Author', Sydney, 25 March 1999.
[47] Campbell v Acuff-Rose Music, Inc. (1994) 127 L Ed 2d 500.
[48] Simpson, S. Review of Australian Collecting Societies. Canberra: The Minister For Communications and the Arts and the Minister for Justice, 1996.
[49] (1985) 5 IPR 426.
[50] Staff Reporter. 'Controversial Painting Centre of Legal Wrangle', The Adelaide Advertiser, 28 September 1991, p. 2.
[51] Kenyon, A. 'Defamation, Artistic Criticism and Fair Comment', Sydney Law Review, 1996, Vol. 18, p. 152.
[52] Schulze, M. 'Interview with the Author', Sydney, 25 March 1999.
[53] Meskenas v Capon (unreported, District Court of New South Wales, 28 September 1993).
[54] Ryle, G. and Maley, N. 'Art Row Over, but Debate Goes On', The Adelaide Advertiser, 4 October 1991, p. 3.
[55] Hughes, R. Nothing if not Critical. London: Collins-Harvill, 1990.
[56] Ryle, G. and Maley, N. 'Art Row Over, But Debate Goes On', The Adelaide Advertiser, 4 October 1991, p. 3.
[57] Ibid.
[58] Harris, S. 'Arts Uproar over Defaced Painting', The Adelaide Advertiser, 27 September 1991, p. 1.
[59] Staff Reporter. 'Controversial Painting Centre of Legal Wrangle', The Adelaide Advertiser, 28 September 1991, p. 2.
[60] Ryle, G. and Maley, N. 'Art Row Over, but Debate Goes On', The Adelaide Advertiser, 4 October 1991, p. 3.
[61] Donovan, Z. 'New Art Controversy Features the Queen', The Adelaide Advertiser, 20 January 1992.
[62] Harris, S. 'Dabbling in Darling Daubs', The Adelaide Advertiser, 11 November 1997.
[63] Sproull, R. 'Jet's Brush with Bannon Fame Draws Artistic Ire', The Australian, 27 September 1991, p. 3.
[64] Magaznik, M. 'Court Grants Injunction over Changing Landscape', The Age, 28 September 1991, p. 3.
[65] Schulze, M. 'The Death of Daubism? The Case against the Introduction of Moral Rights', Artlines, 1997, Vol. 2 (4), pp. 4-7, 21.
[66] Australian Government. Proposed Moral Rights Legislation for Copyright Creators: Discussion Paper. Canberra: The Attorney-General's Department, Canberra, 1994.
[67] S 193 of the Copyright Amendment(Moral Rights) Act 2000 (Cth).
[68] S 195AI of the Copyright Amendment(Moral Rights) Act 2000 (Cth).
[69] S 195AS of the Copyright Amendment(Moral Rights) Act 2000 (Cth); and S 195AT of the Copyright Amendment(Moral Rights) Act 2000 (Cth).
[70] Morrow, B. 'Originality: 'Primary, Initial, First'', Alternative Law Journal, 1995, Vol. 20 (4), p. 162.
[71] Schulze, M. 'Interview with the Author', Sydney, 25 March 1999.
[72] Schulze, M. 'The Death of Daubism? The Case against the Introduction of Moral Rights', Artlines, 1997, Vol. 2 (4), p. 21.
[73] Waters, C. 'To Daub or Not To Daub - A Moral Rights Dilemma', Art Monthly Australia, 1998, Vol. 108, p. 25.
[74] Senate Legal and Constitutional Legislation Committee. Copyright Amendment Bill No.1. Canberra: Parliament House, 1997.
[75] Schulze, M. 'Interview with the Author', Sydney, 25 March 1999.
[76] S 195AW of the Copyright Amendment(Moral Rights) Act 2000 (Cth).
[77] S 195AR (3)(f) and s 195AS (3)(g) of the Copyright Amendment (Moral Rights) Act 2000 (Cth).
[78] Ricketson, S. 'Moral Rights and the Droit de Suite: International Obligations and Australian Obligations', Entertainment Law Review, 1990, Vol. 3, p. 78; Oman, R. and Others. 'Copyright Office Hearings on the Droit de Suite', Columbia-VLA Journal of the Law and the Arts, 1992, Vol. 16, p. 185; Perlmutter, S. 'Resale Royalties for Artists: An Analysis of the Register of Copyrights Report', Columbia-VLA Journal of the Law and the Arts, 1992, Vol. 16, p. 395; and Hughes, S. 'Droit de Suite: A Critical Analysis of The Approved Directive', European Intellectual Property Review, 1997, Vol. 19 (12), p. 695.
[79] This problem is long-standing and pervasive. See Perlmutter, S. 'Resale Royalties for Artists: An Analysis of the Register of Copyrights Report', Columbia-VLA Journal of the Law and the Arts, 1992, Vol. 16, p. 395.
[80] Myer, R. Report of Contemporary Visual Arts and Craft Inquiry. Canberra: Department of the Communications, Information Technology and the Arts, 2002, p 170.
[81] Tooth, G. 'Stretching the Canvas: Investing in Art in Australia', Background Briefing, Radio National, ABC Radio, 11 August 2002, http://www.abc.net.au/rn/talks/bbing/stories/s647142.htm; and Tooth, G. 'Royalties for Art's Sake', The Sydney Morning Herald, 6 September 2002, p. 11.
[82] Schulze, M. 'Interview with the Author', Sydney, 25 March 1999.
[83] Schulze, M. 'Daubism Hits Sydney', Media Release, November 1997.
[84] Harris, S. 'Arts Uproar over Defaced Painting', The Adelaide Advertiser, Friday, September 27, 1991, p. 1.
[85] Schulze, M. 'Daubism Hits Sydney', Media Release, November 1997.
[86] Schulze, M. 'Interview with the Author', Sydney, 25 March 1999.